This intro!
Damn. RIP
aw man
I’ve watched this at least once a day since I stumbled upon it.
This coming out while inland gets pushed back to next year is a crime
I am happy with LH first since it is filmed on the superior 35mm, where Inland is the weird digital thing that I am not convinced needs to or can ever look any better than it did on DVD in a sunlit room on my friend’s 13" Coby TV in 2007. Maybe that’s wrong
I watched it in similar circumstances my first time, and when I saw it “on da big screen” a couple months ago it felt just the same. the upscaling work is suitably flawed that I think it manages the same affect.
Inland came out much earlier than the LH restoration and criterion already had 4K UHD capabilities now and was looking forward to watching it at home. Existing versions of LH already look fine.
Keep in mind for reference that Mulholland drive has TWO separate 4k UHD releases.
are you sure?
anyway when Straight Story 4k
Studio Canal and Criterion
lost highway (and wild at heart) never even got around to getting lynch approved bluray releases. I don’t see how 4k inland is going to look that much different but I’m more interested in how supposedly the deleted scenes got added back into the main movie which seems unheard of for lynch
I really like the deleted scenes for blue velvet because it really contextualizes a lot of the movie’s themes more strongly, and kinda makes it feel even more like Twin Peaks zero. I think he’d probably do a directors cut of that one if all the scenes were ever found again, since it substantially changes the film (and for the better, IMO, knowing those scenes were supposed to be there)