MUWT 2: The Quickening

Literally, sexual assault was a way of getting nudity into your movie in the US unscathed because then you could say This Scene Is Key To The Plot. Depictions of healthy sexuality were more likely to be censored as gratuitous. So: people would put sexcrimes on screen so they could sell tickets on You Will See A Boob.

Gross trends are almost always even grosser than you think.

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In this film at least there is a whole lot of casual nudity. In fact the two sex scenes people are the most clothed.

I love his screen presence and his behind the scenes work has been continually interesting but he’s like almost certainly a monster yeah?

I mean I also saw THE INVISIBLE MANIAC and that film is almost entirely an excuse to see boobs.

Alex Cox is coming to present a free screening of Repo Man in Boston next month and I am SO PUMPED.

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don’t ask about the sequel, don’t even acknowledge it existed

instead try and get alex cox to talk about his adaptation of Death and the Compass!

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ask him if he’s in the running to direct Guardians 3

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Continuing my BBS oddessy. A Safe Place is about a dude trying to stay in the pants of a girl that is completely blasted on drugs. It’s not hard to follow but it is just a cacophony of jump cuts fragments of conversations ramblings Orson Welles doing magic tricks Jack Nicholson with a moustache she’s in a bathtub now he’s on a boat are these conversations connected???

In a real way it is probably better on drugs. It is hard to focus on sober because it is probably not meant to be focused on sober.

There’s a commentary track and I am curious but not enough to watch the film again. Like are they going to go ā€œwell we shot this 5 seconds of-oops okay well this shot-ahh Orson got this trick in one ta-ā€.

To be clear I liked it.

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casual reminder that the first released film with an NC-17 rating was Henry & June because of sex stuff (though, interestingly, it was almost Predator 2, probably because of Danny Glover’s pants)

having seen both in the past weeks, The Equalizer movies are weird reverse horror movies where Denzel is the slasher and the dumb teens are replaced by amoral-to-evil white dudes and also they are awesome

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Really hope this doesn’t suck

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Yeah my fingers are crossed.

But even if it does suck we got a sick ass throwback poster out of it.

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I don’t think it looks great, from the trailer. But, they did make Venom do the double axe hands attack so

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Saw First Reformed so I’m in a really good and optimistic mood about our future.

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The Spy Who Dumped Me is like if someone smashed together an okay MI ripoff with a really good buddy comedy and it’s stark how much more boring the movie is when the jokes have to stop for the plot

I also want to say it has an okay-ish car chase but, well, fucking Fallout happened

Mission: Impossible: Fallout is really good, you heard it here first

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Had some friends over and watched Halloween 3 today. Did you all know that Halloween 3 is about a halloween mask company somehow successful and wealthy enough to run its own company town populated mostly by robots they produced, robots which they sent to steal a huge stone from Stonehenge and transport it back to the US so they could chip off tiny fragments of it and solder them into microchips to be placed on badges attached to their halloween masks, masks which they’ve marketed to children all over the country in order to set up the conditions to allow them to trigger the masks’ microchips to cause bursts of occult energy that transform the childrens’ heads into potato bugs and poisonous snakes that will then kill their parents with venomous bites, all in order to accomplish a new kind of human sacrifice for the televisual age?

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I did know that. Halloween 3 owns and I wish they had kept the series a weird anthology.

I watched a new movie called ā€œTaoā€. I think its Netflix or Amazon.

It’s very obviously riding the coattails of ā€œEx Machinaā€. And if you ignore the fact that Alicia Vikander is a Hell of an actress, Tao isn’t really worse than Ex Machina.

It does flip a couple of things around and also brings in a couple of other influences. Basically so it’s not plagiarizing.

Anyway, I didn’t hate it. But I also didn’t love Ex Machina. I watched Tao based on cover art alone (and because ā€œTaoā€ is the magic dimension in Warriors of Virtue!). Had I known a synopsis, I may not have bothered.

this describes nearly every Hollywood comedy of this century

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