I don’t know what I’d call what Verhoeven does, but it’s near-camp. Something like using all the language of Hollywood against itself. It’s knowing and bombastic.
Flesh + Blood is an incredible movie where the camera lies about the script. (note: significant rape (notably it’s significantly concerned with how rape is presented in our film conception of medieval life))
Oh this reminds me of The Immortals, I movie I haven’t seen since it came out but I’m pretty sure I still believe is the movie that most accurately mythologizes the Greeks the way they actually mythologized themselves. The gods are a bunch of bored looking 19 year old underwear models, it’s perfect.
Starship Troopers does suck, his favored production style had become unfashionable and for all I know inaccessible by then, so the thing is shot and casted like a contemporary TV show, and it makes it super flat.
it has impeccable politics and some really inspired moments (the ending is incredible) but compared to all his American films before that and nearly all the Dutch ones, it’s terribly dull.
Black Book and Elle and Benedetta are all great though, he’s back in the saddle. I hope he gets to make his Jesus movie
thought about it for a while, and Bay’s Underground 6 and AmbuLAnce are tapping into campiness with how they stop to care (at all) subtly referencing former Bayhem Flicks and just go all in/revel in being overt what with their borderline stupid dialogue plugging Maestro Bayhems œuvre?