Near the climax of the White Stripes’ cover of Conquest, Jack sings a big key change, but then when the instruments drop back in they ignore it, which fucking rules
this has a simple whole tone up A major->B major, but it’s so well-done
i wrote (am still writing to some degree) a song that is in A minor (though it kinda feels equally like F lydian) that modulates to C minor for the chorus and B minor for the bridge and i’m pretty chuffed about the way it moves. key changes between repeated sections of a song are kinda scary to write, but it’s especially fun trying to puzzle out how to get “back” once you’ve migrated out of the original harmonic center, lol
ime most pop music key changes happen in the bridge & then bump up into the chorus, this is a rare key change for the bridge that beautifully returns to the original key for the final chorus, god i miss Tally Hall
(2:14 to end)
was just listening to this song (“Shaking Through” by R.E.M.) this morning for the first time in awhile and completely forgot about the key change until it hit me
it’s just an end of song transpose, or is it? the bassline actually stays the same, forming new and strange harmonies
are you talking about the flat II (i: Gm, bII: Ab) chord that first appears at ~0:15? i’d consider that more of a borrowed chord than a full-on key change. i might be missing what you’re referring to as a key change, though. the whole main chord sequence has a consistent key center of G minor for me
this is one of my favorite key changes in a song i’ve written. first key change occurs at ~2:16
C → A → D mixolydian → C
song is not exactly done and this is just a rough demo but i really like this one.
yeah, i’m pretty sure i was abusing the terminology. my very loose interpretation was any time a chord makes my ears prick up and go “what was that?”