Apple Arcade is honestly pretty good if you like playing games on a phone or tablet. i was using it fairly regularly when i still lived in a world where i commuted on a train, but i don’t like using my phone to game any other time, so
uemetsu is doing the soundtrack again. I’m curious to know what his work sounds like in 2021. I didn’t really like the original contribution he made to ff7r.
To further state despite everything it is this grey sludge of a video game. You play it and gain more and more numbness. The feeling drains out of you.
blue dragon positives: the save point noise is one of the nicest i’ve ever encountered
blue dragon negatives: extremely disrespectful of the player’s time, certain late-game enemy encounters were sometimes 60-90 seconds before i could even select an attack. it was like watching a powerpoint presentation about how finite my life was
whoa, Blue Dragon actually owns. Some of Toriyama’s most impressive work, really built a distinguished world that feels lived-in. Story surprisingly goes to some dark places despite feeling like a Saturday morning cartoon. I mean, if Bravely Default 2 is the event RPG we’ve been waiting for then give me B-Tier Sakaguchi any day of the week.
the trajectory of the japanese console rpg over the past two decades is largely depressing to me. there was a certain scope in which i think they excelled and when the capabilities of hardware and budget (as well as the expectations of the consumer) went beyond that all different sorts of studios seemed to flounder in all sorts of different ways.
i’m not a huge fan of the genre but there are more of them released between, say, 1993-1997 that i’m interested in playing than there are from the past twenty years combined. like i can’t believe that squaresoft and enix combined into one company and then their first huge collaborative creation was kingdom hearts