and of course have to have some songs from Ponniyin Selvan. Both Chola Chola and Ponni Nadhi are absolute bangers, he really went off with these, instant classics
oh and lagaan songs. Chale Chalo = banger of bangers, Ghanan Ghanan might be my actual favorite song tho
remembered one of these as i was about to go to bed and the other one naturally followed - two examples of the fascination 90ās india had with western aesthetics, and the music reflects it as well, also itās a bop obviously
mukkala mukkabala
romeo attam pottal (this one looks desynced which is annoying but whatever)
I looked up the lyrics of this and itās astounding how many words the lyricists fit into this basic rhyme scheme. and all that in what is essentially period 10th century Middle Tamil (which to give context, even schoolchildren in Tamil Nadu today are familiar with Middle Tamil, hell I grew up memorizing 9th century Pandya hymns). But nevertheless a massive achievement, to have wordplay and nuances of pronunciation of this level.
Rhyming for example āveeraā (brave one, warrior) with āveezhaā (veezh being the root for āfallā, -a being the suffix of negation, hence āveezhaā = he who does not fall = invincible )
Or ānadukal serkkum veeraā meaning āwarrior who amasses hero stonesā
Itās a shame, I could cover this whole movie but especially the song lyrics in translators notes about why the Tamil used is so good, but it would take all month
reading about the filmās production, this song sequence was choreographed by a famous contemporary dancer i think (the article is in reference to the hindi version of the film raavan but they were filmed concurrently)
Urvasi Urvasi is my fukken jam. Iāve always been a little disappointed in that it appears to be a one-off in that Iāve never found another Tamil/Indian song that has as much of what feels to me like an electro element.