NEON DEMON

Drive was like milk to me, cool and sweet and nourishing and refreshing, but turned sour for me by the passing of time. I tried to go back to it last night and ended up just turning it off to listen to the soundtrack instead (the soundtrack is still amazing) and making a note to enjoy something by Mann in the near future instead.

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Drive’s soundtrack is a lot of why I couldn’t much abide the whole

Very, very done with apparently now ceaseless 80s gesturing

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Drive is the one that held up the least of his recent output for sure.

A few years ago I invited a girl I was dating around to my house to watch movies, and the one she picked out of my collection was Only God Forgives. That was an interesting night

news: this movie made a gawker journalist walk out mid showing, its quality is cemented

The local arthouse here is doing a season of NWR curated films: Carrie, Videodrome, Under the Skin, Body Double, Mulholland Drive and Suspiria.

I’m definitely putting money down to the see the latter, not sure what else to consider. I mean money is an issue, so I’m effectively discriminating by what’s worth seeing on the big screen or not. Thoughts? I feel like I can safely pass on Videodrome, and I saw Under the Skin when it came out. Maybe Body Double?

Why pass on Videodrome? Have you already seen it? I’d love to see it on a big screen (esp if its in 35mm), it’d be top pick out of those for me.

What’s NWR, I googled it but I doubt it’s Namibia Wildlife Resorts or Nintendo World Report

nick wingdings refn, mainly known as a cousin to the writer of dog days but he’s also a director of some fine films.

oh of course yeah, damn. I’m tired and old and all that

everything i read about this makes me more excited. i thought there was no way that could happen after only god forgives, but here we are. it’s not even that i disliked the film; it translates twisted-psychology into action sequencies that sprawl seamlessly (thinking about the hot-oil-in-the-face chase scene and how the movie ends with the karaoke) which is great, it’s just so…brain-dead the rest of the time? i remember that was the term i thought then and don’t remember a lot of the film itself. it could’ve been the dialogue, yes. i need to watch it again. for the record i love bronson/pusher/drive to death.

fuck ā€œgettingā€ films though.

a thousand times this.

But Refn still wants to make a superhero movie.

ā€œGod, I would love to make one, it would probably be great fun,ā€ Refn told Business Insider this week. ā€œI just don’t know when it’s going to happen. I very much enjoy my freedom creatively, but I also would love to make one of those big Hollywood films that costs a lot of money and has a lot of people running around with cell phones and all that insanity.ā€

So with Wonder Woman already taken, what superhero movie would he want to make?

ā€œWhat ones are left?ā€ Refn pondered for a second. ā€œYou know the one I want to do? I want to make Batgirl. Let’s get Warner working on it.ā€

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Frankly, would go to see all of these.

Money is an issue here, falsedan!

The only one of these I haven’t seen before is Body Double. Suspiria is obviously a movie made for the silver screen, I’m querying about the rest being that essential, though.

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I haven’t seen any Refn films, but my first thought reading this was Batman: Thrillkiller, which has a Batgirl focus and what seems like a similarly lurid approach to colors

Stuck the Suspiria OST on the office system close of Friday, went down amusingly