MUWT 2: The Quickening

Hi, it’s me, the guy who just watched this movie and knew of the Manson family murders without knowing any of the particulars, least of all who any of his victims were. “Okay, the sinister music cues are clearly setting these hippies up as a parallel to DiCaprio’s heavy character; I wonder where we’re going with this?” Like,

I seriously could not parse this phrase. “Tate” as a name for an individual meant nothing to me until I read further through this thread. I could not tell you a thing about Polanski other than something something sex crime. Everything to do with this is an enormous blind spot for me.

Honestly didn’t realize so many people never went through a fascination with the Manson murders phase

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This recent episode of the flophouse gave me all the context I needed to follow the conversation in this thread (I have not seen The once upon).

https://www.flophousepodcast.com/2019/07/episode-288-the-haunting-of-sharon-tate/

it’s noon on a Sunday and I’m watching an X-man

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When you’re Jessica Chastain’s physical form as duped by a groot-looking alien and MAN says “Margaret?” and then “What?” and then you cave in his chest by holding your hand out because that’s an extremely cheap morph effect and if they cut away fast no one will notice

i was one of those teen girls obsessed with serial killers and i would get SICK of hearing about the manson family all the time! it was so widely covered in every weird corner of everything in the 90s

i do appreciate that tarantino is still so fucking polarizing in 2019

when your contract is finally up, thank go–

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when you’re a habitual mind penetrator, and not shy about sharing this fact with others

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when you’re watching X-MEN: DARK PHOENIX at 13:02 on a Sunday

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when we saw it enter you, in space

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fuckin ice cold

d*ng

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While walking on a big penis and balls

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OK we’ve all (and by “we all” I mean “me and only me”) had some fun here but after almost two hours of X M E N D A R K P H O E N I X I’m going to say that X M E N D A R K P H O E N I X is not exactly “good” but it might be better than the last two installments by The Sex Criminal?

There’s this core of Charles Xavier is a Controlling Egomaniac Who Fucks With People’s Brains that keys into the screaming theme of Dudes Afraid of/Trying to Control the Agency of Women. They hit the Professor X is a Dick Gong really hard! I’m here for this!

A lot of the dramatic scenes almost work? Some of them have decent low-key energy? Gameathrones really can’t do anything with a lot of this dialogue but she sells the emotion pretty well when just alone and throbbing with misunderstood power? They throw away a lot of this when it’s enough for Charles to say “I’m just real sorry!” at the end? The Main Villain probably shouldn’t have stolen a woman’s body, because it muddles the Themes? Oh well!

All the action movie shit in the 1st 2/3rds is limp and ridiculous. All the X-persons doing X-person shit? The first big action scene is Two Separate Bunches o’ Mutants trying to be the first to cross a street? It’s Competitive Mutant Frogger. One of Magneto’s buddies is just a lady who says You Are Not The Only Mindmutanto! to Xavier before striking a pose with her knife and holding that very same pose for the entire scene. She just stands there. I guess this is supposed to lock him down, mentally, for the duration, but it’s not made very clear and it looks almost as silly as the whole situation does when you realize all these super-powered motherfuckers are just trying to cross two lanes of traffic?

Magneto’s other Exclusive Hench Mutant uses his dreadlocks as whips.

All the guard’s for the Climactic Train Sequence have the same model of shotgun but they’ve treated them as submachineguns in post re: sound effects and digital muzzle flares, etc. They still have spare shells in caddies on the stocks? Maybe they decided it’d be more exciting to go Tons of Automatic Fire, but they were stuck with those props, and oh well. Maybe someone realized on the day that those particular shotguns didn’t exist in 1992? In any case this is extremely important.

This Climactic Sequence is a continuity mess but probably has better Mad Superpowering than most of the rest of the franchise. It is not great, but it’s never been great, and the individual pieces are OK on their own. Magneto crushes an entire train car of groot aliens and throws it away like a soda can? Teleporting devil boy is inexplicably moved to Knife Rampage by the death of the guard that set the mutants free? Storm looks kinda regal while she shoots lightning at people? It’s never clear why Beast throwing these aliens bodily would be more effective than bullets? Yeah!

It’s fine!

The emotional catharsis of the end actually kinda works and then you cut to

look at this fuckin doofus

look at this photoshop they had to do because it wasn’t in Jennifer Lawrence’s contract to sit for a head shot in makeup and she absolutely refused to do anything that she was not legally bound to

Anyway this movie is Not A Good Movie but it is Not The Disaster It Is Reputed To Be IMO it’s fine, just fine, as these things go. It’s solidly mediocre! There are some good scenes! It wasn’t made by a definite sex criminal!

Thank you for reading these several paragraphs about a mediocrity, written in a haze.

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I wonder if I’ll ever be able to write about movies I actually like again

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I didn’t like the one with Apocalypse. But Days of Future Past was pretty good. I plan to watch Dark Phoenix even though Jenlaw refuses to suffer in better Mystique makeup.

Always Be My Maybe, it was fine and all but

At one point the guy is wearing a graphic tee shirt! And it is designed by Irene Koh! And I had to pause the movie and point at it and yell at my wife, wow! That shirt is by Irene Koh, she is the partner of this guy named Pat who used to post at selectbutton! I am three degrees of separation from a, well not Hollywood exactly, but Netflix movie!

She was not impressed.

This is it!

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always be [cultural heft’s] maybe