Given the similar way Bruce Willis was deployed as bait in these geezer teasers this just makes me afraid that Mike Madsen has dementia
Word has it that Tarantinoâs waiting on John Travolta to degenerate to the point where heâll sign onto doing the Vega Brothers movie
Rebel Ridge very good
I have nearly finished watching the top 100 films from the latest Sight & Sound poll. The only film that remains is Tropical Malady and Iâm waiting until I can watch it with TooManyCookbooks.
I really enjoyed watching these films, so I have made a ridiculous plan for the movies I want to watch between now and New Years Day 2026. It involves a mixture of films that institutions say are the best, others that SB recommends, and more that I think just look neat.
Behold!
Year | Title | Director |
---|---|---|
1911 | Inferno, Lâ | Bertolini, Francesco & Adolfo Padovan |
1914 | Wishing Ring, The | Tourneur, Maurice |
1923 | Smiling Madame Beudet, The | Dulac, Germaine |
1925 | Merry Widow, The | von Stroheim, Erich |
1929 | New Babylon, The | Kozintsev, Grigori & Leonid Trauberg |
1932 | Island of Lost Souls | Kenton, Erle C. |
1933 | King Kong | Cooper, Merian C. & Ernest B. Schoedsack |
1934 | Dos monjes | Bustillo Oro, Juan |
1934 | Happiness | Medvedkin, Aleksandr |
1938 | Dybbuk, The | Waszynski, Michal |
1940 | Espoir, Lâ | Malraux, AndrĂ© & Boris Peskine |
1941 | Lady Eve, The | Sturges, Preston |
1941 | 47 Ronin, The | Mizoguchi, Kenji |
1944 | Tower of the Seven Hunchbacks | Neville, Edgar |
1944 | Meet Me in St. Louis | Vincente Minnelli |
1946 | Cluny Brown | Lubitsch, Ernst |
1947 | Out of the Past | Jacques Tourneur |
1947 | King-Size Canary | Avery, Tex |
1948 | Letter from an Unknown Woman | Max Ophuls |
1948 | Pearl, The | FernĂĄndez, Emilio |
1949 | Sang des bĂȘtes, Le | Franju, Georges |
1950 | In a Lonely Place | Nicholas Ray |
1951 | Venom and Eternity | Isou, Isidore |
1952 | Europa '51 | Roberto Rossellini |
1952 | The Life of Oharu | Kenji Mizoguchi |
1952 | White Reindeer, The | Blomberg, Erik |
1953 | Statues Also Die | Cloquet, Ghislain/Chris Marker/Alain Resnais |
1954 | Godzilla | Honda, Ishiro |
1955 | Bad Day at Black Rock | Sturges, John |
1956 | Girl Canât Help It, The | Tashlin, Frank |
1957 | Nights of Cabiria | Federico Fellini |
1957 | Forty Guns | Fuller, Samuel |
1958 | Man of the West | Mann, Anthony |
1960 | Rocco and His Brothers | Luchino Visconti |
1960 | Classe tous risques | Sautet, Claude |
1960 | Letter Never Sent | Kalatozov, Mikhail |
1962 | An Autumn Afternoon | Yasujiro Ozu |
1962 | Sundays and Cybele | Bourguignon, Serge |
1963 | Jason and the Argonauts | Chaffey, Don |
1964 | Charulata | Satyajit Ray |
1964 | The Umbrellas of Cherbourg | Jacques Demy |
1964 | I Am Cuba | Mikhail Kalatozov |
1964 | Zulu | Endfield, Cy |
1965 | Saragossa Manuscript, The | Has, Wojciech |
1966 | Mouchette | Robert Bresson |
1966 | Sword of Doom, The | Okamoto, Kihachi |
1967 | Les Demoiselles de Rochefort | Jacques Demy |
1967 | Symbiopsychotaxiplasm: Take One | William Greaves |
1967 | Chinoise, La | Godard, Jean-Luc |
1967 | Love Affair, or the Case of the Missing Switchboard Operator | Makavejev, Dusan |
1968 | The Colour of Pomegranates | Sergei Paradjanov |
1968 | Memories of Underdevelopment | Tomas Gutierrez Alea |
1968 | Death by Hanging | Oshima, Nagisa |
1969 | Kes | Ken Loach |
1969 | Army of Shadows | Jean-Pierre Melville |
1969 | Boy | Oshima, Nagisa |
1969 | Putney Swope | Downey Sr., Robert |
1967-70 | Scenes from Under Childhood | Brakhage, Stan |
1970 | Soleil O | Med Hondo |
1970 | Brewster McCloud | Altman, Robert |
1971 | Out 1 | Jacques Rivette |
1971 | Two-Lane Blacktop | Monte Hellman |
1971 | Godzilla vs. Hedorah | Banno, Yoshimitsu |
1971 | Punishment Park | Watkins, Peter |
1972 | Cries and Whispers | Ingmar Bergman |
1972 | Pink Flamingos | John Waters |
1972 | Sambizanga | Sarah Maldoror |
1972 | Solaris | Andrei Tarkovsky |
1972 | Discreet Charm of the Bourgeoisie, The | Buñuel, Luis |
1972 | Getaway, The | Peckinpah, Sam |
1973 | Belladonna of Sadness | Yamamoto, Eiichi |
1974 | The Texas Chain Saw Massacre | Tobe Hooper |
1974 | Reason, Debate and a Story | Ghatak, Ritwik |
1974 | California Split | Altman, Robert |
1975 | Salo, or the 120 Days of Sodom | Pier Paolo Pasolini |
1975 | India Song | Marguerite Duras |
1975 | Two Solutions for One Problem | Kiarostami, Abbas |
1975 | Hedgehog in the Fog | Norshteyn, Yuriy |
1976 | Harlan County, USA | Barbara Kopple |
1976 | Robin and Marian | Lester, Richard |
1977 | Annie Hall | Woody Allen |
1977 | One Way or Another | Sara Gomez |
1977 | Martin | Romero, George A. |
1978 | The Deer Hunter | Michael Cimino |
1978 | Days of Heaven | Terrence Malick |
1978 | Blue Collar | Schrader, Paul |
1979 | West Indies: The Fugitive Slaves of Liberty | Med Hondo |
1979 | All That Jazz | Bob Fosse |
1979 | Manhattan | Allen, Woody |
1979 | Origins of a Meal | Moullet, Luc |
1980 | Dangerous Encounters of the First Kind | Tsui Hark |
1980 | Big Red One, The | Fuller, Samuel |
1981 | Possession | Andrzej Zulawski |
1981 | Kagero-za | Suzuki, Seijun |
1981 | Thief | Mann, Michael |
1981-97 | Five Year Diary | Robertson, Anne Charlotte |
1982 | E.T. | Steven Spielberg |
1982 | Losing Ground | Kathleen Collins |
1982 | On Top of the Whale | Ruiz, RaĂșl |
1983 | Born in Flames | Lizzie Borden |
1983 | Boxerâs Omen, The | Kuei Chih-Hung |
1983 | Merry Christmas, Mr. Lawrence | Oshima, Nagisa |
1984 | Twenty Years Later | Eduardo Coutinho |
1984 | NausicaÀ of the Valley of Wind | Miyazaki, Hayao |
1985 | Night on the Galactic Railroad | Sugii, Gisaburo |
1985 | Explorers | Dante, Joe |
1986 | The Green Ray | Eric Rohmer |
1986 | True Stories | Byrne, David |
1987 | Wings of Desire | Wim Wenders |
1987 | Ishtar | May, Elaine |
1988 | Distant Voices, Still Lives | Terence Davies |
1988 | Grave of the Fireflies | Isao Takahata |
1988 | High Hopes | Leigh, Mike |
1988 | Miracle Mile | De Jarnatt, Steve |
1989 | A City of Sadness | Hou Hsiao-Hsien |
1989 | Dekalog | Krzystof Kieslowski |
1989 | Santa Sangre | Jodorowsky, Alejandro |
1990 | Paris Is Burning | Jennie Livingston |
1990 | An Angel at My Table | Jane Campion |
1990 | Gremlins 2: The New Batch | Dante, Joe |
1991 | Story of Ricky | Lam Ngai Choi |
1991 | Fisher King, The | Gilliam, Terry |
1992 | Bram Stokerâs Dracula | Coppola, Francis Ford |
1993 | Blue | Derek Jarman |
1993 | Patlabor 2: The Movie | Oshii, Mamoru |
1994 | I Canât Sleep | Denis, Claire |
1994 | In the Mouth of Madness | Carpenter, John |
1995 | Whisper of the Heart | Kondo, Yoshifumi |
1996 | Crash | David Cronenberg |
1996 | Breaking the Waves | Lars von Trier |
1996 | Conspirators of Pleasure | Ć vankmajer, Jan |
1996 | Scream | Craven, Wes |
1997 | The Watermelon Woman | Cheryl Dunye |
1997 | Public Housing | Wiseman, Frederick |
1998 | Flowers of Shanghai | Hou Hsiao-Hsien |
1998 | Bird People in China, The | Miike, Takashi |
1998 | Blade | Norrington, Stephen |
1999 | Charisma | Kurosawa, Kiyoshi |
2000 | Werckmeister Harmonies | Bela Tarr |
2000 | In Vandaâs Room | Pedro Costa |
2000 | As I Was Moving Ahead, Occasionally I saw Brief Glimpses of Beauty | Jonas Mekas |
2000 | Child and the Soldier, The | Mir-Karimi, Seyyed Reza |
2000 | Mysterious Object at Noon | Weerasethakul, Apichatpong |
2000 | Songs from the Second Floor | Andersson, Roy |
2000 | Requiem for a Dream | Aronofsky, Darren |
2000 | Code Unknown | Haneke, Michael |
2000 | Dead or Alive 2 | Miike, Takashi |
2001 | Morvern Callar | Lynne Ramsay |
2001 | All About Lily Chou-Chou | Iwai, Shunji |
2001 | Ghost World | Zwigoff, Terry |
2001 | Amélie | Jeunet, Jean-Pierre |
2001 | Piano Teacher, The | Haneke, Michael |
2001 | Pistol Opera | Suzuki, Seijun |
2002 | West of the Tracks | Wang Bing |
2002 | Road to Perdition | Mendes, Sam |
2002 | Distant | Ceylan, Nuri Bilge |
2002 | Blissfully Yours | Weerasethakul, Apichatpong |
2002 | Blade II | del Toro, Guillermo |
2003 | Goodbye, Dragon Inn | Tsai Ming-liang |
2003 | Corporation, The | Abbott, Jennifer & Mark Achbar |
2003 | Animatrix, The | Chung, Peter/Andrew R. Jones/Yoshiaki Kawajiri/Takeshi Koike/Mahiro Maeda/Koji Morimoto/Shinâichiro Watanabe |
2003 | Lost in Translation | Coppola, Sofia |
2003 | Dogville | von Trier, Lars |
2003 | Elephant | Van Sant, Gus |
2003 | Matrix Reloaded, The | Wachowski, Lana & Lilly Wachowski |
2004 | Hidden | Michael Haneke |
2004 | Tropical Malady | Apichatpong Weerasethakul |
2004 | Nobody Knows | Koreeda, Hirokazu |
2004 | Primer | Carruth, Shane |
2004 | Before Sunset | Linklater, Richard |
2004 | Intruder, The | Denis, Claire |
2004 | Sideways | Payne, Alexander |
2004 | Spartan | Mamet, David |
2005 | Norikoâs Dinner Table | Sono, Sion |
2005 | Death of Mr. Lazarescu, The | Puiu, Cristi |
2005 | New World, The | Malick, Terrence |
2005 | Grizzly Man | Herzog, Werner |
2005 | Princess Raccoon | Suzuki, Seijun |
2006 | Syndromes and a Century | Apichatpong Weerasethakul |
2006 | Taxidermia | Pålfi, György |
2006 | Big Bang Love, Juvenile A | Miike, Takashi |
2006 | Southland Tales | Kelly, Richard |
2006 | Lives of Others, The | von Donnersmarck, Florian Henckel |
2006 | Colossal Youth | Costa, Pedro |
2006 | Domino | Scott, Tony |
2007 | Silence Before Bach, The | Portabella, Pere |
2007 | Sun Also Rises, The | Jiang Wen |
2008 | Sparrow | To, Johnnie |
2008 | Speed Racer | Wachowski, Lana & Lilly Wachowski |
2008 | WALL-E | Stanton, Andrew |
2008 | Synecdoche, New York | Kaufman, Charlie |
2008 | Hunger | McQueen, Steve |
2008 | Lac, Un | Grandrieux, Philippe |
2009 | The White Ribbon | Michael Haneke |
2009 | Redline | Koike, Takeshi |
2009 | Serious Man, A | Coen, Joel & Ethan Coen |
2009 | Prophet, A | Audiard, Jacques |
2009 | Fish Tank | Arnold, Andrea |
2009 | Valhalla Rising | Refn, Nicolas Winding |
2010 | Vapor Trail (Clark) | Gianvito, John |
2010 | Somewhere | Coppola, Sofia |
2010 | Man with No Name | Wang Bing |
2011 | A Separation | Asghar Farhadi |
2011 | Melancholia | Lars von Trier |
2011 | Bernie | Linklater, Richard |
2011 | Turin Horse, The | Tarr, BĂ©la |
2011 | Once Upon a Time in Anatolia | Ceylan, Nuri Bilge |
2011 | Old Dog | Tseden, Pema |
2011 | Five Broken Cameras | Burnat, Emad & Guy Davidi |
2012 | Romancing in Thin Air | To, Johnnie |
2012 | Universal Soldier: Day of Reckoning | Hyams, John |
2012 | Holy Motors | Carax, Leos |
2012 | Eega | Rajamouli, S.S. |
2013 | Locke | Knight, Steven |
2013 | Pain & Gain | Bay, Michael |
2013 | Great Beauty, The | Sorrentino, Paolo |
2013 | Blue is the Warmest Colour | Kechiche, Abdellatif |
2013 | In Bloom | Ekvtimishvili, Nana & Simon GroĂ |
2014 | When Marnie Was There | Yonebayashi, Hiromasa |
2014 | Jia Zhangke, A Guy from Fenyang | Salles, Walter |
2014 | Hill of Freedom | Hong Sang-soo |
2015 | 88:88 | Medina, Isiah |
2015 | Bone Tomahawk | Zahler, S. Craig |
2015 | Carol | Haynes, Todd |
2015 | Kill Zone 2 | Soi Cheang |
2016 | Shin Godzilla | Anno, Hideaki |
2016 | Paterson | Jarmusch, Jim |
2016 | Toni Erdmann | Ade, Maren |
2016 | Neon Demon, The | Refn, Nicolas Winding |
2016 | Billy Lynnâs Long Halftime Walk | Lee, Ang |
2017 | On the Beach at Night Alone | Hong Sang-soo |
2017 | 24 Frames | Kiarostami, Abbas |
2018 | Commuter, The | Collet-Serra, Jaume |
2018 | Roma | CuarĂłn, Alfonso |
2018 | Ee.Ma.Yau. | Pellissery, Lijo Jose |
2019 | Domains | Kusano, Natsuka |
2019 | Dwelling in the Fuchun Mountains | Gu Xiaogang |
2019 | To the Ends of the Earth | Kurosawa, Kiyoshi |
2020 | Mandibles | Dupieux, Quentin |
2020 | Malmkrog | Puiu, Cristi |
2021 | Petite Maman | Celine Sciamma |
2021 | Beyond the Infinite Two Minutes | Yamaguchi, Junta |
2021 | Parallel Mothers | AlmodĂłvar, Pedro |
2022 | Walk Up | Hong Sang-soo |
2023 | Samsara | Patiño, Lois |
2023 | Inside the Yellow Cocoon Shell | Pham Thien An |
Thatâs a lot of movies.
I like watching them.
Oh baby, what a list! I need to watch Symbiopsychotaxiplasm: Take One again, because it totally blew my mind, but I saw it when I was like 15 and not prepared to fully get it.
I watched this tonight and I concur.
watched la chimera in a theater a few days back, the etruscan graverobbing one, i liked it a lot - it starts off with this tone where it seems equally likely to turn into either gently humane indie slice of life thing OR startling crime movie and rides that tension longer than youâd expect, to fun effect - it feels like every scene has some kind of curveball in there, like in terms of the character relationships or some odd imagery or just a matter of fact depiction of some very specific activity. made me reconsider my feelings about the triangle (musical instrument) AND has someone playing a jews harp into a mic. some of the more mystical/symbolic stuff slid off me but still thinking abt it
also watched amsterdamned last night, the amsterdam-themed scuba giallo with a delightful and dispropotionate amount of vehicle chase scenes thrown into the mix⊠truly part of the fun of watching is wondering if this used up the entire dutch film industryâs stunt budget for a few years. has a fun credits music video where you get to see huub stapel play 80s cop movie sax on a prop bridge
I watched Box Man last week and it was good even if I have a dozen little complaints. The arthouse trash theater was very nice.
Today I saw Chungking Express in the chain-theater and it was slightly worse but the movie is probably my favorite. This was the 4K and WKW changed the music in one scene in like a George Lucas level way and I almost screamed why.
Part of why I love Chungking is how everything is so lived and how everything everyone is doing is the most comfortable youâve ever seen it. Watching Kaneshiro eat pineapple out of can while on a bar stool in his cramped apartment. Is perfectly fitting Levis and loose button up shirt. They way Tony Leung has a conversation with a dish rag. The Faye Wong looks over her glasses. I love how often the shots are double framed that there is an exterior and interior environment. It feels alive and breathing in a way that uh someone living in Urban Texan surrounded by strip malls could be envious of.
Kaneshiro and Tony really love being sad about their girlfriends. Maggie is wellâŠnot having a fun time about anything but is a prepared killer buried in this love story. Faye seems to enjoy being completely outside society even when sheâs panicing because society asks her without judgment âwhat are you doing?â The owner of the restaurant has seen this all before and feels comfortable in his life and skin.
I still donât know what a Chefâs Salad at Chungking Express even is for a movie I have watched at least 20 times.
https://youtu.be/xLpnleQbsHY?si=y3ENbC9mLeqVk3S0
for god knows what reason he put Faye Wongâs song over this scene, you know before she dances around the apartment to it. Even without knowledge of the original it feels out of place and arbtitrary.
like a George Lucas Decision.
takeshi kitanoâs kubi has this subplot where this endless succession of body doubles for that wiley raccoon tokugawa ieyasu just keep getting killed each looking less like the guy than the one before, like five of these guys get killed
but what the hell why didnât this movie have the office kitano boot up logo??
watched Bad Ben, an extremely z-grade found footage horror movie with a few fun moments - like when the guy finds an old toy music box on a tiny grave in the backyard of the house he bought to flip from sherriffâs auction and he immediately picks it up and goes Thatâs Goinâ On Ebay or when he finds a giant old bible on entering the house and immediately throws it in the wheelie bin while saying âsorry, thatâs just the day and age we live inâ (he fishes it out later - - boooooo!!!). it did make me think that background evangelical radiation has done so much damage to horror movies like it feels like every time i watch one from the usa it ends up being about SATANISM and itâs the corniest thing. if satanism didnât exist these guys would invent it just to have some extremely visually unimaginative guys in robes they could bring out during the climax. itâs too phoned in here to make a difference either way but it really dragged down the Hell House LLC movies esp that one with the bizarre religious allegory about a ceo who becomes an angel after getting into a car accident and conducts holy war on satanic ghosts by, like, turning their place into a Punchdrunk immersive theater play for some reason.
anyway there are apparently like 20 more Bad Ben movies and also a videogame made by one of the haunted ps1 guys where the director/star of the films voices himself, and iâm mostly posting abt it because i found this screenshot very charming. the cultural communication you love to see.
vinegar syndrome put out some new transfers of chinese torture chamber story and all I can say is wow
if you ever wanted to see some exploitation-heavy softcore wuxia⊠I think there was about a five year window during which anyone on the planet could or would have made these movies and I think itâs fair to say they got it right the first time
the first film ends with a guy being dosed with too many aphrodisiacs and his dick exploding, after the heroine admirably tries to get him off to save his life⊠but heâs just too swollen by then, itâs hopeless
KINDS OF KINDNESS WOOOOOOO. I know Iâve been an annoying yorgos stan since dogtooth, but I like that he was like âokay I did my award bait movies Iâm gonna be fucking WEIRD AS HELL AGAINâ
the constant dafoe (literal) dick teases were amazing. in the last vignette I made a joke that this is angela and jamie from xiu xiu in 20 years, just something about his uneven eyeliner and their performance art over the hot tub
so much bad skin so much awkward dialogue and I got to see Billy Lynn do something other than a long halftime walk!! I think this is my fave of his after dogtooth actually now that I think about it
So interested in it. Have been shocked that everyone I know has been so down about it for whatever reason. I was wondering if it was like especially especially mean or fucked up, like early Yorgos x3 or something.
itâs pretty drawn out and grim. took me 3 days to get through 2 hours of it and I deleted the file after that and gave up. it played in theaters here a really abnormally long time too, they really dined out on the favorite and poor things. but his pre-tony mcnamara scripts were all about that off-putting, just not quite this indulgent
I would watch hong chau in anything though, I adore her
I thoguht it was super breezy because itâs in three parts and like, thereâs no happy endings but it was never a downer cuz itâs silly and funny. ema stones little victory dance. I liked all the bright solid colors everyone was wearing but I also might not be used to my nice TV yet. there should have absolutely been an intermission, I needed to pee twice during this so Iâm glad I didnât see it in theatres
she was really good at licking people, I think Iâve only seen her in inherent vice before
Watched Smile and Hereditary and though these movies are coming in at two distinct levels of artsiness my impression of both was pretty similar, in that while they have a couple standout scenes, neither is as scary as it thinks it is and neither pays off as well as they think they do.