10,000 Bulletins: No One Can Stop the Presses! (Part 1)

???

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it’s good, it has the same essential 8-bitness to its design that it refuses to complicate that fire emblem does (when fire emblem is actually good) and excellent PS2 flat shading and fixed perspectives.

the dungeon design and pacing are occasionally pointlessly unpleasant but otherwise firing on all cylinders for its time and place

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lmao at this trailer:

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I would love to see David Crane and Garry Kitchen do something a little more modern. Crane especially.

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This is what I said seventeen years ago when I saw this:
smt3ps23

Raidou’s dialogue font wasn’t as chunky. This looks more like an extra bold Matisse by Fontworks.

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An extra bold Matisse is just what I need to finish my bathroom!

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I love that understated font, fill my cup

Old font dlc let’s go

hoping this doesn’t turn out like when Wizards schedules and announces a banned and restricted list update for X date and then it turns out the update is “no change to the banned and restricted list”

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ps3, vita, and psp psn stores are closing down in july

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Is there an actual reliable source for this that doesn’t look like a weird content farm made to game Google because I couldn’t find one?

I don’t think it’s unlikely but I don’t automatically believe news from websites that look like they were made with a template anyone could setup within 5 minutes

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Oh finally a date and …next week? I got too many games will get to this in a few sales.

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i dunno, but i’d get buying/pirating now just in case

Writing “I will not revisit MGS4” on the blackboard

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jim you dumb bastard

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Simon & Schuster flipping through Canterbury Tales

“Lol, nobody talks like this anymore. Why would anyone read this? Stop printing, please.”

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jim’s not wrong from a brain-in-a-box-whose-only-sensory-input-is-user-data sense

But Sony’s had twenty years of penny-foolish pound-wise investment in classy games to build a Playstation brand and culture and they ought to have a formula in their budget to place platform investments.

Further the move to game pass and Netflix-style libraries pumps value back into the b-tier and older games. They’re always hungry for ‘content’ to hit every niche and nostalgia plays are pretty successful to say the least. Sony’s sitting on 25 years of history to bind people to a Playstation Plus subscription that they’re not using. (and honestly, if they were doing this, you’d expect them to hold their old party line until they reveal a library of classic titles, available today! and turn on a dime)

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It is utterly ridiculous that out of the three console platforms, Xbox is the one that has the most available and preserved back catalog. How good of a loss leader can Crimson Skies and Panzer Dragoon Orta be?

This list could be embarrassed by even a fraction of first party PS1/PS2 games.

And unlike Switch Online, Game Pass is nearly complete like getting every first party Genesis game on a disc for $20 in 2009.

I understand why – Microsoft has the engineers and the monomaniacal focus on Game Pass. But a PS1/PS2 emulator is a potential killer app/service and totally feasible on the PS5 as evidenced by the Xbox Series S. Sony could probably afford to pay off Square and Konami off the subscription fees with their clout.

That Game Pass review of Nier Automata I posted is sticking with me because it’s a shift in how people decide to try games out. I can’t imagine someone who isn’t already aware of Automata’s deal just giving it a shot unless it’s part of a rotating library with no additional cost. I think it’s holding the medium up to require collecting disc-based games/consoles or getting comfortable downloading ISOs, though the latter is obviously noble.

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and Microsoft found itself without first-party or exclusive content and at least five years before it built back internal studios (thanks Phil) so this was a thing they could throw money at

It’s so hard for big companies to adapt to what everyone can see coming because it almost always involves risking your success; but you find yourself barely scraping by like Xbox was in 2015 and doing something becomes a lot more appealing.

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good ol’ success trap. worked out so well for polaroid and blockbuster

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