i like Woodcutters and Concrete most personally but i think he arrived and stayed pretty fully formed, to me he is one of those guys whose books are mostly distinguished by which bits they contain… like Concrete is “the one with the insane four page long riff on dogs” etc… i still feel like woodcutters might be the best for being the one where the claustrophobic setting lets his characteristic voice modulate and chase itself most intricately but it was the first one i read and compared to the venom of some of the others it felt downright restrained when i went back to it recently
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