we're in a guitar center hanging out now (formerly the electronic music tech appreciation thread)

on the amp front i think i’ve just about talked myself into one of these three options… #1 is a bit cheaper and less fuss, but 2a and 2b offer more portability (in exchange for a little more setup fuss, e.g. needs 2 outlets instead of 1). they’re relatively similar weight and sound i think.

i’ve never played combo’s in gig settings, and i never played a head/cab setup, so idk.

yeah probably just stick with a combo, since these jam sessions are sort of a no-fuss kind of vibe. less setup time = better.

underrated guitar gear: guitar picks

for my style (reverse edge picking a la george benson) these super pointy v-picks are perfect. inspired to pull it out of my pick box after watching the above video and wouldn’t you know it, 194bpm not so hard

image

Oh I didn’t post the thing

Have the line out connected to my computer to record, finally a convenient solution for recording my practice

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I got a vpick insanity for its novelty and it made me question everything about guitar pick shapes. I’ve been meaning to cast one out of platinum silicone to cut down on the pick noise

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i bought some vpicks like 10? 15? years ago and still get spam from them to this day

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Have any of y’all tried half-round strings on guitar? Mulling over slapping a 12-52 set on my jagstang to experiment (up from 11-48 slinkies)

Currently have half-round 12s with a wound 3rd on the Mustang, yes.
I don’t have strong opinions on the matter.

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Did you have to modify its nut for the round third?

I did have a new nut made for it, as a matter of course, though it was probably spec’d for one off the line originally?

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I’ve tried flatwound and round wound but not half rounds
counterintuitively (?) I like flats on my strat and rounds on my epiphone semi hollow. I had flats on the epi but it was giving a lot of “thunk thunk” archtop sound
whereas in the strat flats gives a full mellow sound

like going for a balance of both I guess? this is for jazz and I play with much treble mind. trying to like, julian Lage tone, or whatever

yeah I’m really in a pointy acrylic sort of mood since that post. feels like acrylic gets pointier than most materials somehow. gravity picks did a giveaway, I got these two for free and they rule

not pictured: v-picks dimension Jr which is maybe my fav, it’s almost jazz 3 size and 3mm, in this polished ‘blue galaxy’ material with pointy tip, it was great and then I lost it somewhere :frowning:
if they made this same thing but with 3 pointy tips it would be perfect imo

Shore A 80-90 hardness rubber re-cast of the Insanity is what I use now, and can just pour a new one out on a whim

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had occasion to remember this fun anecdote

(timestamped to talking about getting equipment replaced because the label wanted to douse the band in wine for a music video; she still has the wine guitar)

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the cmi is one of those things i’m kind of loathed to champion because a sampling based instrument isn’t a particularly astonishing concept, not least since the mellotron had happened already, and someone would’ve got there again at some point

it’s the musicians and producers that elevated everything

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Was anyone actually swapping out the tape loops in a mellotron with their own samples through?

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The GUI is the surprising thing to me

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Make your guitar sound like an NES.

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Jojo’s Bizarre Effects Pedal

This is beautiful

Turns out what matters is the EQ, distortion, and the order they’re in

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