videogame things you think about a lot (Part 1)

nintendo consoles always have a handful of first party things that everyone buys because everyone knows what it’s going to be and there’s a relatively consistent design ethos there. it’s just not really been the case for almost anything else. especially the PS1 which was a wild and wonderful landscape in a lot of ways… but before FF7 came along there wasn’t really one identifiable game that came out for it. and if you’re someone who is going to play 10-15 games at most per console anyway, if those 10 or 15 games are likely either goldeneye or nintendo first party games that you’re pretty sure you know what you’re gonna get with, then that’s what you’re gonna know.

also i definitely followed review scores in magazines. even if i didn’t buy the magazines i’d look at the reviews and know what scored well. and those reviews definitely favored first party nintendo games. i think those had some influence.

also croc is a pretty shit game.

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Croc and banjo kazooie are basically the same level of quality. I cannot fathom what disease causes N64 mega-fans to think so fondly of banjo.

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Appalled at this Kileak: The DNA Imperative erasure

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i will say that Epidemic is one of the like 8 games i own a physical copy of for the PS1 so take from that what you will

Real heads know that the sequel, Epidemic, is way better than Kileak.

is there a standard example of a game that is “critically acclaimed” but still sells poorly? i feel like video game critics as a whole are less out of step with popular taste than film critics, and yet (as far as i know) film critics don’t catch nearly as much shit for “incorrect” review scores

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I would tend to look at ambitious western AA sequels as fitting into that category lately - Hitman 2, deadfire, pathologic 2, titanfall 2, etc. it’s tricky with games because there’s so rarely any kind of real observed risk in aiming for a more-than-modest success and you almost need a sequel for it to even critically register as a hedge; usually it’s rationalized away as assuming market conditions that didn’t exist, or gets swallowed up into guaranteed-money big budget stuff.

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it comes to mind mostly because I loved all of those games and they are also some of the only games that I can remember hearing about having lost a significant amount of money

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wait am i the only person here that played croc enough as a child to have his voice burned into my brain? oh no!

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Pretty funny to complain about the current state of the gaming canon by pointing 2 the exclusion of Croc

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I like (with a fair amount of qualifiers) Armond White so I must disagree with ur assessment here

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Armond White is incredible, possibly the least tedious reactionary in history

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If video games had an Armond White whoever published them would be under constant threat of terrorist attack, especially if they were indexed on meta critic

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that’s half the reason i posted that tweet. such a daft piece of evidence to support a valid argument

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I don’t think this is a case of Nintendo fans warping the discourse and more that Banjo Kazooie is a solid game that features a lot of historically necessary experimentation, and croc is worse than any of it’s PSX contemporaries that get talked about a ton like Crash Badicoot and Spyro which have been discussed just as much as Banjo over the years.

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The only Croc I played was the one level on the demo disc

Thanks Croc wiki. Now I know that my vague memory of a lava cave with question-mark blocks is the v0.16 beta of Croc

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actually had more fun w/ croc than croc 2. croc 2 controlled like a normal platformer so it was more obvious it wasn’t a great game while croc 1 you could literally have him control like a car with an accelerator button and i knew there was something special about that, even at the time.

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Movie discourse has been ruined by more people talking about Blade Runner than Tron.

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Music nerd discourse would lead you to believe that Black Flag was more popular than Robert Palmer and our culture has been damaged by this misnomer.

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These are unfair comparisons, a more reasonable one would be like

Movie discourse has been ruined by more people talking about Goonies than Mr. Mom

Neither game has any real cultural relevance outside of manufactured nostalgia factories

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