romm comm tuum

One Starry Christmas (2015) - sometimes you just get the urge to watch another hallmark movie about falling in love with a cowboy, seasonally appropriate or not, and this one delivers on all the content you want to see - he tips his hat in acknowledgement at multiple points (sometimes down, sometimes up - unsure if there’s a contextual meaning), rides a horse, carries a saddle everywhere he goes, calls the heroine “miz amy”, delivers cosmic sayings about how riding a bronco is comparable a “vision quest”, linedances, and plays harmonica (“silent night”). sometimes he does multiple of these in the same scene! also the cowboy is played by a miraculously preserved Damon Runyon, who has seemingly not aged a day since the heyday of Guys & Dolls - - actually it appears to be a completely unrelated guy called Damon Runyan. why would anyone do that to their child?

but the cowboy was not the only reason i watched the film. you see, the word “starry” is in the title, and the movie has a star emphasis - the main lady is a doctor of astronomy and the plot summary assures us that she bonds with the cowboy over their joint love of the stars - so i was frankly curious how far this would go, would it veer into astrology and star magic or is that too pagan for the hallmark brand… it turns out i was on the wrong track since while the main characters do chant things like “magic stars, grant my wish tonight” the main form of religious devotion in this world appears to be christmas worship. everyone is constantly talking about the importance of christmas and being home for christmas and decorating the tree and drinking eggnog and stuff, the single character in the movie who doesn’t really care about any of that is actively reviled as a result, particularly by the protagonist’s mom who is particularly hardline and aggressive about the whole thing. if there was a christmas equivalent of the taliban she’d be in it. her nemesis is the protag’s starter boyfriend, and considering the extent to which hallmark movies softpedal any conflict, the naked contempt and hostility that everybody in the movie has towards this wretched seasonal agnostic is a pleasure to see.

other than that the main notable thing about this movie is how vague it is - all the reactions are just slightly off and delayed, all the lines of dialog have an improv-theater wooliness to them, as if the actors have been told what the general emotional feel is for each scene and have to make up the rest themselves. lines like “hey, yeah, i love christmas, no problem, and you brought a cowboy” or the exchange “miracles do happen” / “this whole adventure’s been a miracle”. when the starter boyfriend wants to make fun of the cowboy he just says “horseback riding in the city…? that’s…” and scrunches up his face. a cow, a hat? preposterous. when the cowboy rides back to make his love declaration at the end the heroine declares “you crazy cowboy…!”. stretched over the whole movie, it’s a very pleasingly disorienting effect. it sort of feels like you fell asleep during the real hallmark movie and your brain had to come up with something in the same general shape.

the rest of it goes as you’d expect, except for the throwaway sideplot about the cowboy having an also-cowboy rodeo star brother, that the heroine’s mother tries to reunite him with in her house apparently just because she needs another hit of those family christmas feelings so badly, even secondhand. nobody is safe. les liasons dangereuses but for cowboys. the brother is played by someone with the authentically cowboy name of George Canyon and there’s a good part where he sings a plot-relevant song at dinner (“The Ballad Of Wild Bill”) while his mic echo is so loud it sounds like he’s auditioning for the jesus & mary chain.
the other big musical setpiece is when the cowboy finds himself attending the prestigious xmas soiree of a big new york tech company while being regarded with naked lust by practically everyone in attendance, and his response is to immediately organize them all into a line dance, which everybody finds delightful apart from the heroine’s boyfriend. if this movie has taught me anything it’s that cowboy is the spice of life. the next time you have to organize a party, funeral, wedding, bar mitzvah or latin mass try bringing along some cowbys to liven up proceedings. satisfaction guaranteed.

COWBY: MEGU of the cowboy affectation which is full of a sense of justice.

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SEE YOU, YULE COWBOY…

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I just died holy shit

that’s comme des garçons baby

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Listen Out For Love (2022) - it’s been a while since the last one of these but as someone who’s been indoors for like a full week now due to covid i figure there may well never be a better time, psychically, for me to watch another one.

what has the Hallmark machine been cranking out lately? this one is topical, maybe alarmingly so - a love story between a brash podcast host (he climbs rocks and has a show called “Bringin’ It!”) and a diligent network producer specialising in mindfulness content, who walks around declaring things like “MicroMindy is on FIRE this morning” and whose previous prospect was a lady whose whole thing is being able to detect “love vibes”. these opposites are brought forcibly together by means of the network boss, who intones things like “I warned you your content was lacking” in a threatening-the-player-in-an-FMV-game voice. an additional complication is that the producer lady’s ex is the host of something called the “Epic Life Podcast” (tagline: “YOU CAN LIVE AN EPIC LIFE”) although this actually doesn’t come up very much. we never get to find out what it means to live an epic life, although based on the guy itself it possibly involves looking like a licensed ps2 game version of chris pratt.

maybe this world i’m describing sounds new and strange to you!! this is not the hallmark that we know. yes, we’re still in the region of somewhere reassuringly vancouverish but in many other respects this is an ominous and alien terrain, and here to drive the point home is the soundtrack. i don’t know how to put this, but: somebody told the hallmark music library procurers about synthwave. someone at hallmark was possibly exposed to the Drive soundtrack at some point in time. this is not a drill. it starts out pulsing but then gets kind of vague and noodly, which leads to every scene in the movie being soundtracked as if the characters are either browsing the wii store, listening to the underrated ost of an obscure SNES tennis game, or finding out about the death of Laura Palmer. there’s even a vocal song although i’m not synthpop familiar enough to know whether it’s a “santa bring a boyfriend to me” style adaptation of a similar, though legally distinct, more well-known piece. it does play again during the credits.

anyway maybe calling this a love story is pushing it, mostly the movie weirdly revolves around a totally different kind of aspirational lifecoach celeb, an older lady with kind of a Mary Oliver vibe who is randomly friends with the jock podcaster. this famous though single lady whiles away her days trying to scrape up money for the single most made-up-in-30-seconds idea for a charity i’ve ever heard of:

helping an only child to buy a dog. not a deprived child per se, and not even “only-children” as a category, since in the whole movie we only see the one kid and it’s the same little girl as in the poster. but she does get a dog at the end, and all it takes is a movie’s worth of organizing an expensive formalwear charity gala for a task which could trivially be accomplished by the organizer spending just a little of her own money. and people say the liberal ideal is dead!

anyway not-mary-oliver is hurting for charity ducats and love both, and the producer’s solution: that they start a new weekly podcast dedicated to trying to help this lady find love. as it turns out, she stumbles on THE ONE pretty quickly, but the other two push her to keep dating so as to keep the metrics up. eventually they learn the error of their ways and even find time to make out 0.5 seconds before the credits, but i wanted to mention this subplot because i found it very charming that the guy the movie holds up as the single most desirable, love-on-first-sight possibility, who all the other characters are trying to entice into a relationship, is just some random guy named Barry who looks like this:

i’m not making fun of him, for one thing i’m pretty sure he plays for NoMeansNo, but i did enjoy that The Abrupt Reappearance Of Barry is essentially treated as the main romantic climax of the movie, next to which the pairing off of the actual protagonists is treated as the most perfunctory of subplots.

anyway, what else: at one point the podcast guy gifts the producer lady a tiny string instrument, and says it represents her power to conduct his career. never before has the world’s smallest violin been put to so earnest a usage. later when they’ve had a fight, she pulls it out and stares at it mournfully:

this is after MicroMindy has already informed her that she’s giving off Love Vibes (“yeah! love vibes on fire!” “you are totally buzzing!” “vibes don’t lie!”). at the big only-child-themed charity gala, the characters sum up what they’ve learned:
“i think its important to recognize how special and wonderful love is.”
“yes… i’ve learned that.”
“so have i.”
when the gala is finished, more happy news: “the livestream numbers came in and they are by far, the most ever.” “we have exceeded ALL of our goals. isnt that fantastic?” who the fuck wrote this film?? as it turns out…

oh shit, this guy wrote Dying For The Crown!! well, at least i’m able to confirm that this one’s not his best work. but looking at his imdb bio at least gives some other rewarding details:

the world is a magical place, sometimes, perhaps even moreso than any hallmark movie.

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(to the tune of the Bee Gee’s “Tragedy”)

Jason-Shane

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wait what

He answers the phone and says hello, this is Jason-Shane

???

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this is jayshay

i’m pro things that sound like they were made up by french catholics trying to come up with generically american sounding names although the fact that he’s just “jason” in the rest of the bio makes me think its disappointingly not that insisted on

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Watched Wild Oats (2022), one of 41 films to get a 0% rating on Rotten Tomatoes & Sony and Lifetime sued each other once it released. Shirley MacLaine’s husband dies and she gets a life insurance check with a few too many zeros. She flies to the Canary Islands with her just-separated best friend and gets scammed by Billy Connelly & Matt Walsh while the insurance company’s investigative agent interrogates her daughter Demi Moore & they decide to follow on the next AIR IBERIA flight.

Writing: atrocious. Acting: variable, Billy is stiff, Shirley is sincere, a lot of ham from the rest of the cast. Watchable: surprisingly. The beginning has some seriously brain-poisoned attempts at comedy but it’s fine once they get out of Illinois

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Really grooving to this dollar store Elizabeth Banks

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Ghosts Can’t Do It (1989) - I may as well say it: when it comes to new romcoms I’ve been shirking duty for a while now, addicted to that Hallmark product - which while never that good or that weird are always at least brisk, always have at least one minor distinctive goofy quality going on, and never sink to the level of brutal oh-god-where-is-this-going longeur of like The Clapper or something. But without lows you get no highs, and so to get out of my rut I decided to go through the lowest rated moves in the IMDB romantic comedy list to see if there was anything there more heady than either TV movies or Julia Roberts could provide. Strong early contenders included Just Another Romantic Wrestling Comedy (“A Jewish man falls in love with a wrestling princess and it’s a no holds barred quest for her love” - are Jewish men and wrestling women meant to be opposites…?) and Vanilla Ice promotional vehicle Cool As Ice. But ultimately “Ghosts Can’t Do It” won out for the title alone. You will believe a ghost can’t do it.

In this movie Anthony Quinn IS an elderly billionaire tycoon who has a heart attack at the start of the movie and Bo Derek IS his doting and significantly younger wife. This gives you a sense of how tonally strange things are going to be - Quinn is in full chortling, muttering Life Affirming Old-Person mode while Derek’s character is, like… basically written like a cutesy anime waifu and played like someone on the brink of nervous collapse. I imagine all her scenes as being prefixed in the script with the words “girlishly” or “kittenishly” and then inevitably come out as either “frantically” or “maniacally” which to her credit are at least more entertaining. Any shot with both of them in it feels like watching a pingpong game go back and forth, and the effect is made only more disconcerting by the fact Bo Derek is constantly wearing outfits like this:

(Incidentally my favourite part of the movie is probably this unsettling Kubrickesque shot that happens for no reason)

Any worries about their chemistry don’t last for long, because the tycoon character decides to speedrum his own terminal illness by shooting himself - whereupon he becomes a ghost, because suicides can’t enter heaven (explained by Julie Newmar, as an angel that wears footless thigh-high stockings for some reason). Becoming a ghost means that for the entire rest of the movie Quinn is only represented by chest-and-up shots of him gesticulating to himself in some kind of black void, like a Beckett play or something. Bo Derek can still hear him but nobody else can etc but since she’s rich and owns a tropical island or something nobody really cares that she’s constantly exclaiming at and gesturing to thin air. Which she does a lot because her husband’s ghost is now busy trying to talk her into his new plan: having her murder a hot guy so that he can possess the body to have sex with her again (yes, just like in Riverdale). She is initially reluctant, explaining “we’ve never been into kinky stuff.”

With some kind of vague plot established the movie is free to follow its various real interests: rambling directionless Business Intrigue shit, travelogue shots of the actors frolicking around in boats or jumping into the water or playing baseball or whatever else, and shots of Bo Derek naked. I ordinarily would not mention such a thing but it happens so often it starts to feel like the gimmick 3D effects in Friday The 13th Part III. It even happens often enough to develop weird Where’s Wally-esque variants, like a scene where Derek herself stands behind a wall while only her breasts are visible poking into the frame. Did I mention that the movie was directed, written, produced etc by her husband John Derek? Himself a significantly older veteran of the movie biz who married Bo while she was a teenager and was four years on from a heart attack at the time of this movie? Really adds some extra unsettling qualities to the way Derek’s character keeps referring to her husband in all sincerity as “Great One”.

As all of this suggests, the actual romance part of the movie is pretty dubious - it took me a while to realise that we really were meant to be into the idea of Derek and Quinn as fated, world-historic lovers, despite the fact that he spends the whole movie yelling at her to kill some random person so that he can continue his long life as a billionaire industrialist and friend of Donald Trump (who appears onscreen as himself, for extra romantic ambience). At least it leads to a good part when Bo Derek starts dancing by herself to the radio at a beach bar, and the SoundBlaster II esque saxophone bursts indicate that this is the sexiest thing we’ve ever seen, and meanwhile she’s just kind of doing the dance from Here Comes Garfield, and every so often it cuts to Anthony Quinn bopping vaguely in his black lodge prison to show that they’re actually meant to be dancing together. Final confirmation comes at the end of the film, where - spoilers! - after Bo tries and fails to murder an evil himbo with variously a machine gun, a club, and some rat poison, the guy gets caught in a tuna net or something and dies anyway, and Anthony Quinn is able to successfully and permanently possess the corpse. The last scene of the film is Derek and the himbo, now awkwardly dubbed with the voice of Anthony Quinn, having sex in a hayloft until she gives up in exhaustion at his newfound potency. Meanwhile John Derek died in 1998 - - or did he?? Keep an eye out for young hot guys in the vicinity of his wife whose words don’t seem to match their lip movements, I guess.

This was an extremely weird and exhausting movie that felt like 6/10ths vacation film, 1/10th softcore pornography, 1/10th business thriller and 1/10th the sensation of half-watching a soap opera while asleep. The remaining tenth, is love… No, I’m kidding. The remaining tenth is Bo Derek’s hats which are a delight whenever they appear onscreen. I particularly liked this Macho Man Randy Savage tribute:

Also the other one just above, which is what she wore to her husband’s funeral. No wonder he became a ghost.

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sometimes dreams come true

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Pumpkin Everything (2022) - i always felt like one of the ways we know the world is fucked beyond repair in starship troopers is that a michael ironside character is portrayed as one of the good guys. so what does it mean for the state of society in 2022 if he’s now playing loveable old people in hallmark movies… well, i don’t want to think about that, but fortunately this one has lots of other stuff going on in it as well to distract me from a potentially terrifying portent - specifically by being a deep dive into the weird hallmark convention of “fall” as a sort of secular pumpkin-themed fertility festival. it’s not halloween, which is never mentioned (too occult) - it’s not quite thanksgiving either - it’s something vague and in between, distinguished first and foremost by the worship of the gourd. every once in a while someone will talk about pumpkin spice lattes or we’ll see them hauling a gigantic pumpkin up onto their truck but generally the fruit is presented as more of a magical, spiritual totem than anything base to be eaten or carved. presumably the human sacrifices are happening somewhere just offscreen.

in this one the heroine is a bestselling author of horror fiction about vampires, about to release her third novel when she gets the call home to look after her feisty grampa who has devoted his life to one thing: running a store called Pumpkin Everything, which my wife described as “the fuck mansion from eyes wide shut but for pumpkins”. i’m still not completely sure exactly what it sells - it does have a few actual pumpkins scattered around a suburban living room, and we see some jars of associated orange-coloured candles and goops… when a character pulls out what he says are the bestselling items he picks up a plastic goblet and a tiny plastic ghost pumpkin. unlike the similar movie were tom arnold plays a grouchy year-round christmas store owner, there’s never any mention of a seasonal component to the business, which makes me think that maybe these people just live underground the rest of the year like big cicadas.

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i gotta say the romance here is kind of throwaway even for the genre - most of the plot and conflict involve this bestselling author trying to convince her grandpa to give up on his inexplicable pumpkin store dream and sell the store and home so that he has enough money to move into the nearby retirement home. despite spending the whole movie insisting that this happens she never offers to chip in through the sales of her books, so i guess times are tough in the vampire fiction biz. this unfortunately makes the movie kind of a bummer and the only thing that saves it is that at no time are we ever given any indication as to why a pumpkin-themed bricabrac store named “pumpkin everything” is the big dream this guy has spent his life chasing. ironside doesn’t have much to do although occasionally he gets to a level of suppressed rage which feels sort of tonally alien in this format… sometimes he does the little cold-stare eyebrow raising thing and you get to imagine he’s going to put out someone’s eyes with his thumbs but alas the moment never comes.

the main lady ends up getting with the amiable highschool friend now working at her grampa’s store, and probably the most memorable moment in the film is when he says “remember the puppet shows?” and they reminisce for a second about the two-person puppet shows they used to put on together in high school, a bit of surprise characterisation that never comes up again. whom amongst us does not recall the sweet puppet shows of youth. there’s another part where they’re taking part in a scarecrow building part together and the music is a triumphant folk song which accompanies the images with the lyric “this is why we live”.

at the end of the movie grampa finally learns to appreciate his granddaughter’s writing career, since now he knows she’s not just a writer: she’s also a small business owner, something truly deserving of respect. he also sells on the business to his pumpkin apprentice at last. as the heroine says in a late, emotional conversation: “no-one is ever gonna understand your love of Pumpkin Everything”.

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I read this entire thing out loud to my wife btw, its great

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i wasn’t sure to post this here or in the sleazy thread, but i recently watched the munsters scary little christmas and live blogged it in discord

  • the munsters “scary little christmas” movie from 1996 is on tubi
  • herman munster does a james brown impersonation in the first five minutes
  • grandpas make up is hideous
  • eddie looks like paul mccartney
  • the pilot from mad max is in here for some reason
  • grandpa munster appears to have a meth lab
  • no really, he made something “to help grandpa relax”
  • there are several australians in this, must have been filmed here
  • everyone is horny for marilyn munster
  • the plot is about the family helping get eddies christmas spirit back
  • herman munster got a job as a nude model to help pay for a big present
  • grandpa accidentally teleported santa into the mansion and now he’s stranded
  • there are two very horny elves
  • they keep making sex jokes about marilyn munster
  • “it’s a long trip but she’d be worth the climb!”
  • they are excited to be in southern california
  • “mud wrestling, nude beaches, all girl volleyball teams!”
  • grandpa is worried about people “taking away his chemicals”
  • the elves are planning to drug santa so they can have the day off to party
  • herman got a job as a telemarketer but a lady he called is treating it as a sex line
  • santa got turned into a fruit cake and the drama is currently is he gonna get vored or not
  • eddie is on a dog leash and walking around on all fours trying to sniff santa out
  • santa cake got stabbed with a knife
  • now someone is trying to smother santa cake to death with a blanket
  • now they are trying to drown santa cake in cream in a rather upsetting scene
  • it was just revealed that grandpa and lily created the plague when they were younger as a lark
  • santa cake is now a santa egg
  • the elves are getting drunk at a biker bar
  • herman is infiltrating it disguised as a leather daddy
  • a leather babe was just saying she had a fetish for little people but now she’s not interested because they are not helping save christmas and it’s selfish
  • selvish if you will
  • santa is santa again
  • the elves are back to help christmas because “the babe at the bar dissed us”
  • they brought the whole biker gang to help save xmas
  • “ladies and gentleman, or whatever else you consider yourselves” horny elf is an ally
  • this movie is only an hour and a half but it feels like three hours have passed
  • herman scared off the cops, good job herman
  • the biker gang are taking the place of the reindeer?
  • thanks to a “magic harness”
  • there is a reference to rosemarys baby, and demon baby poop
  • grandpa is trying to get laid at the xmas party
  • i’m pretty sure only family is at this party btw
  • it’s finally over
  • thank you for joining me on this journey
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It’s crazy that there is a vampire element to this autumn themed rom com that ignores the existence of Halloween

You could make a whole subplot about how Halloween is like black Friday for vampire fiction authors, that’s double the autumn themed plot points at no extra cost!

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not sure why Netflix thought it should recommend this

to me, though attn @thecatamites, all i could think of was what you’d take away from this!

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This feels fitting for this thread (brought to my attention by loki)

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Perhaps they were going for a Pokemon thing with two mostly identical versions, Sister Swap Red and Sister Swap Green. Maybe we’ll get a third version, Sister Swap Yellow where they’ll splice in a third sister with a few extra arbitrary scene edits

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i was gonna say, they should do a third one and put a surfing pikachu in there somewhere

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