It’s not that their sex life is interesting in and of itself, but here that serves as a catalyst for basically an hour of striking back against everything in her past, in culture, that serves to take away her agency, and claiming her own autonomy for her life. Tearing down a poisonous world to rebuild a new one based on compassion for her daughter to live in. It’s pretty powerful stuff.
Honestly, I pretty much ignored Beyoncé previously to “Formation.” She was a pop diva with an occasional feminist agenda, and fine. It wasn’t really that interesting, I didn’t think, but she seemed at worst harmless and at best sort of broadly cathartic to some of the petty indignities that women can face.
This still isn’t For Me, but what she’s doing now – of which Formation is the first single – is a huge sea change, artistically. Where before she was basically doing safe pop stuff with a bit of a social edge – let’s not scare the straights, you know – now she just doesn’t give a fuck, and is going in deep. And it’s really impressing me.